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Which card buyer are you targeting?

The greeting card market actually consists of several different markets.

Three of which are Everyday, Lifestyle (a fairly new concept) and The Mans market, to name a few.

The everyday market is by far the largest, reason being that people like to communicate and express there feelings, when I say people, what I really mean is that it's women that like to express feelings, as it is women between the ages of 20 to 45 that buy 90 per cent of all those everyday cards.
If there's an occasion no matter how obscure, Greetings card publishers in most cases have a design to entice that poor unsuspecting person that is just browsing to buy, but what makes her buy one particular card as opposed to another?

It could be cute, sexy, cool or whatever, the initial impulse comes from the image, design or the artwork, however you like to describe it. Once the card has caught her eye she will normally pick it up, then comes the next stage in the process, does the card convey her feelings? This is where the selling power of verse comes into action, and if suitable will close the sale.

Lifestyle cards, are usually cool, funky and don't have much point!
Many handmade greetings cards fall into this category.
Normally showing some form of artwork or splash of colour, sometimes a caption is included such as cool chic, groovy or some generic statement, they are designed to appeal to the very young, usually purchased by people 17 to 30, these cards are normally more about the senders feelings rather that the recipients, buying a cool, funky card makes the buyer feel cool or funky!

The mans market makes up just 20 percent of card sales.
Greetings card manufacturers have been struggling for years to entice men to buy more cards, They get a good shot at them on Valentines day, but only because life would be unbearable if they forgot be get her in doors a card!

Christmas cards, again they only have to buy one card for the wife or girlfriend, the woman in their lives sorts out the rest.
Birthdays, forget it! Unless they are reminded, taken to the card shop, then pointed at the racks and shown the actual card to buy there's little chance, unless of course it's for the wife, in which case it will be a frantic drive down to the local petrol station for a nice £1.49 life saver from card connection.

Of course they do buy cards, sexy cards, silly cards with jokes on about how old you are (woe betide the man that sends one of these to his wife) booze cards etc., in fact any kind of card that does not express his feelings, exactly the opposite to the type of card women send, it's little wonder card companies are up against it!

Copyright kookykards © 2002


A Craft workers Tale

Amy worked full time as a secretary in a bank, she longed to be able to give up her job, for the last six months she had been attending craft fairs, where she sold her work that she made in her spare time......

Click Here to read all the tale



Pricing you work

I am often astonished at how little value artists place on their work.

I have attended many craft fairs and been disappointed with the artists for putting so little profit on their work, very often I know exactly how much time has been taken to create a particular piece, I also know that once the item is sold the artist will be lucky to break even.

So, what is a reasonable amount of money for what you do?

Focus on how long you spend working on an item, then decide how much you want to earn per hour, as an Artist you should be charging a reasonable amount for your time, take a look at your works, are they unique, desirable or different? If so, this can increase your rates

For each different type of product you make and sell you should research what price the market dictates for that particular product, although you don't have to price the same, it will give you some idea of how much to base your hourly rates on.

Use the same method for all products, research what the market dictates.

When setting a price take into account the following;

The time it takes to make

Materials cost

Overheads (such as stall rental, petrol, promotion, etc.)

Emotional value*

 

If you can produce a product that has a competitive price and you are making a reasonable profit then you're onto a winner, if not then you need to rethink your design, examine the materials costs/ time taken or take drastic action and dump that product in favour of a more profitable one!

Sometimes it is good to simply up the price by ten or twenty per cent. Remember these are handmade products you are making, exclusive only from yourself and should be priced accordingly

Many people would be suspicious of a product that is under priced and will not buy, they conclude there must be something wrong with it as the asking price is to low.

Emotional value

If you are making greetings cards, then you need to remember that people almost always purchase a card as a reflection of their emotions for someone else, quality and design are important but the main selling point of a greeting card is how it expresses the feelings of the person that buys it, therefore if you sell at craft fairs you can increase profits by simply personalising your cards for individual customers.

Selling your products at your price

It is so important to believe that your products will sell at the price you want, you have to expect, when you are selling products that people will give their opinion, you have to learn to be strong enough mentally not to take their opinion to heart, when it is negative feedback you must remind yourself that for every negative jibe there will always be twice as many positive comments.

You will also need to gather courage, to wait for the buyers that will buy your products at a reasonable price and not give in to the little voice in your head, have confidence in your product, believe that people will buy a good product at a reasonable price, have courage to see the bigger picture.

It is sometimes very hard when overhearing the comments many people make very loudly about your work, people can be very judgmental at craft fairs, the reason for these comments is generally down to JEALOUSY.

Jealous because they couldn't do what you do in a month of Sundays, jealous of your creative talent, jealous that you are doing something with your life, and in general they will want to knock you, Which they often do, very loudly.

I suggest that instead of sitting, you Stand, it is much harder to make comments facing the artist, you should stand up and be counted, face people, this shows that you are proud of your work, it also creates an image that you are there to sell your products and that you mean business.

When people linger around your stall for even a tiny moment, you should ask

'Can I help you', when you are selling products, you should give the impression that you are there to sell your products and you expect people to buy them, you should not hide away reading every piece of reading matter you can lay your hands on, with your head down because you don't want people to see you or let them know their rude comments hurt your feelings.


You must build on your positive mental skills, each time you hear a rude comment about your works you must be deaf to it, ignore it. You must never take comments like these to heart.

Set your prices so you are getting

A REASONABLE PRICE FOR YOUR WORK.

Article by Jacque Barns copyright © 2001
Reproduced from the web site An Artist in business


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